“Big River” a Complicated, Spirited, Joyous Trip
By Skip Sheffield
As Huck Finn himself puts it, “Big River” is “complicated
trouble and complete joy.”
“Big River” is a musical adaptation of Mark Twain’s
“Adventures of Huckleberry Finn,” with music by Roger Miller and book by
William Hauptman. The Slow Burn Theatre production of this 19th
century tale of trials and tribulations runs through April 2 at Broward Center
for the Arts.
Tampa born and bred Ricky Cona stars as irrepressible Huck
Finn, who has come into a considerable sum of money after an adventure with his
best friend Tom Sawyer. Huck has no mother and his “Pap” has disappeared. He is
staying uneasily with the Widow Douglas (Anne Marie Olson) and her
overbearingly pious spinster sister, Miss Watson (Erin Pittleman). The time is
just before the Civil War in St. Petersburg, Missouri.
The role of Tom Sawyer was played by understudy Cameron
Jordan opening night after an accident benched David Matthew Klein. Tom Sawyer
is above Huck in social standing, and he already knows how to read and write.
It is Tom Sawyer who is always cooking up complicated schemes that get the boys
in trouble.
Cameron Jordan acquitted himself well on such short notice.
He also played his regular roles of Ben Rogers, Hank, and a young fool from
Arkansas.
Two things intervene to interrupt Huck’s “civilization.”
First he learns Widow Douglas is considering selling her slave manservant Jim
(Brian Maurice Kinnard) for a much-needed $800. Secondly, his crude, drunken
Pap Finn (Troy J. Stanley) returns after a year’s absence and demands the
$6,000 in gold Huck and Tom have put in trust with Judge Thatcher (James A.
Skiba). Huck genuinely fears his father and deeply cares for Jim, so he decides
to fake his death and take off on the river of the title on a raft in search of
Cairo, Illinois and eventual freedom for Jim.
Roger Miller was no Cole Porter, though he won a Tony for
Best Score for this show. His songs tend to the country honky-tonk. His
best-known is “King of the Road.” Most of the songs serve to advance the story.
Some, such as “Muddy Water” and “Waitin’ For The Light To Shine,” have an
anthemic gospel quality, beautifully harmonized by the 20-member cast.
Ricky Cona has a fine tenor as Huck, but it is Brian Kinnard
who really rattles the house as Jim. His distaff counterpart is Kendra Williams
who plays the small role of Alice’s daughter, yet lights up the house every
time with her heartfelt wailing.
Leah Sessa also has a small part but a large presence as innocent
Mary Jane Wilkes, who is harassed by the lecherous “King” (Matthew Korinko) and
his sidekick The Duke (Victor Souffrant in fine comic fiddle). The comic apex
of these amoral con men is “The Royal Nonesuch” of complete nonsense.
With a six-piece band tucked away under the stage and
muscular, athletic choreography by director Patrick Fitzwater, “Big River” is big fun that
just keeps rolling along.
Tickets are $47-$60. Call 954-462-0222 or go to www.slowburntheatre.com.
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