“Wiener-Dog” Yes. Humans, No Thanks
By Skip Sheffield
“Wiener-Dog” is one head-scratcher of a movie. You might
think it’s a story about those long, low, lovable dogs called dachshunds, but
it’s not really. It’s about people. Screwed-up people.
For his eighth film writer-director Todd Solondz, whose
earlier works include “Welcome to the Doll House” and “Happiness,” has
delivered another work guaranteed not to leave you feeling warm and fuzzy.
The movie has four parts, related only by the winsome
dachshund of the title. She is sprung from her cage at animal control by Danny
(Tracy Letts), a self-absorbed suburban dad, who thinks the dog might cheer his
9-year-old son Remi (Keaton Nigel Cooke), a cancer survivor. Danny’s wife Dina
(Julie Delpy) has a list of objections.
“Who will walk it? Who will clean up after it? “Do you know
what spay means?” Danny thinks the dog needs “control,” which means stern
discipline.
Remi does know about spaying, but the poor dog does not. She
is spayed at mom’s insistence, then the parents go away and the dog gets into
mischief, including pigging out on granola, which leads to an epic case of
diarrhea, complete with the song “The Ballad of Wiener Dog” by Marc Shaiman of
“South Park.”
Danny sadly takes the dog back to the pound, presumably to
be euthanized, but a kindly veterinarian nurse, Dawn Wiener (Greta Gerwig)
takes her home. Dawn embarks on a cross-country trip with her sleazy boyfriend
(Kieran Culkin) and somehow the dog gets passed off to a couple with Down’s
Syndrome.
There is an amusing quite literal Intermission, even though
the film is only 90 minutes long, and then the story gets really dark. Dave
Schmertz (Danny DeVito) is a would-be screenwriter and part-time college
teacher whose life and career are unraveling. He is mocked by a young film
student and his latest screenplay is rejected.
Just when we think things couldn’t get worse, we meet Nana (Ellen
Burstyn), an embittered grandmother who hides behind huge dark sun glasses. Her
granddaughter (Zosia Mamet) has come to hit her up for money once again for her
no-account artist-boyfriend (Michael Shaw). Nana begins hallucinating and
seeing multiple red-haired girls.
Spoiler alert: If you think this is heading for a happy
ending, think again. Weiner-Dog, the only noble, blameless character in this
bitter story, is unceremoniously dispatched. We are left thinking life just
isn’t fair. Maybe that is Todd Solondz’s point.
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