Just in Time for Halloween: “Carrie: The Musical”
By Skip Sheffield
It’s not exactly the feel-good show of the season, but Slow Burn Theatre’s “Carrie: The Musical,” playing through Nov. 2 at West Boca High School Performing Arts Theater, is nothing if not diverting and entertaining.
Stephen King’s novel of religious zealotry, high school bullying, teenage cruelty and telekinesis seems an unlikely choice for a stage musical. It still is.
That’s why the 1988 Broadway debut of the $8 million production was deemed a “notorious flop.” In fact some audience members booed as the final curtain rang down opening night.
Slow Burn artistic director Patrick Fitzwater has never been one to back down from a challenge. Once again he has met it by adapting an improved script and hand-picking the youngest cast of highly talented performers, aided and abetted by three older pros.
The pedigree of “Carrie: The Musical” is impressive. The book is by Lawrence D. Cohen, who wrote the screenplay for the 1976 movie version of Stephen King’s hit 1974 novel. The music is by Leslie’s younger brother Michael Gore, who won an Oscar for his 1981 “Fame” soundtrack, and Dean Pitchford, who also won an Oscar for collaborating on that film.
Fitzwater and musical director Caryl Fantel have concentrated on the musicality of the show. The ensemble harmonies are virtually flawless, and Fitzwater cast Equity powerhouse Shelly Keeler in her Slow Burn debut in the crucial role of Carrie’s mother, Margaret White.
“Religious zealot” is not really a strong enough description of Margaret White. Her narrow, fundamentalist view of what is sinful and what is good is obsessive and borders on demented. Her husband has understandably left her, adding bile to her bitter, warped view of life.
Her only daughter, poor Carrie (Anne Chamberlain), bears the brunt of her resentments. As a result Carrie is stunted emotionally and even physically. Although she is 17, Carrie has never had a period. When it comes, at the worst possible time in the school shower, it sets in motions a series of events that will end horribly at the high school prom.
Shelly Keeler is far and away the best, strongest singer in the cast. This helps balance the fact she is playing such a disagreeable character. Keeler brings home the pain and anguish of Margaret in the ballad “When There’s No One,” which is also the best song of the score.
Anne Chamberlain holds her own with her monster mom. Her character is described as “not pretty,” but Chamberlain is. This does not detract from her torment.
Jessica Brooke Sanford is the sympathetic Ying of Sue Snell, who attempts to defend Carrie. Cristina Flores is the cruel Yang of Chris, Carrie’s malicious classmate who hatches the plot that goes so horribly wrong.
Alexander Zenoz is most appealing as Tommy, Carrie’s good-guy prom date. Kristian Bikic is appropriately punkish as juvenile delinquent Billy.
Serving yeoman duty as the responsible adults as Anne Marie Olson as gym teacher Miss Gardiner and Matthew Korinko as school principal Mr. Stephens.
The timing of “Carrie: The Musical” couldn’t be better. This show is the perfect setup for the harmless hijinks of Halloween.
Tickets are $40. Student and Theater League discount tickets are available at the door. Shows are 8 p.m. Thursday-Saturday and 5 p.m. Sunday. Call 866-811-4111 or go to slowburntheatre.org.