“West Side Story’ Finds a New Voice from an Old Source
By Skip Sheffield
As written, “West Side Story” is frozen in the amber of a bygone era of the mid-50s in New York City.
One the other hand the much-beloved musical revival that plays through Feb. 27 at Broward Center is a timeless love story borrowed freely from Shakespeare’s “Romeo and Juliet” and updated with some new twists.
The national touring production in residence in Fort Lauderdale is both old and new.
Arthur Laurents, the original librettist (with composer Leonard Bernstein and lyricist Stephen Sondheim) rewrote parts of the dialogue and lyrics in Spanish to complement the original English.
Laurents should be considered a national treasure. He also directed the Broadway show that opened in March, 2009 and just closed in January of this year. The national tour is directed by David Saint, the Broadway associate director.
This is the third major revival of a record-breaking, boundary-breaking, multi-Tony Award-winning show that opened on Broadway in 1957. If you count the 1961 movie, this would make it the fourth.
The bilingual dialogue makes sense considering half the characters are Puerto Rican. Most of us, especially down here, are used to hearing Spanish.
The original Jerome Robbins choreography has been restaged and in subtle ways re-envisioned by Joey McKneeley (“The Boy From Oz”).
As a result this “West Side Story” takes a fresh look at a musical theater classic more than 50 years old.
In the Romeo role of Tony is Kyle Harris, who is in a world terrific. I didn’t get to see Larry Kert in the original, but vocally Harris is the strongest Tony I’ve seen. Dramatically, as the smitten, conflicted leader of the Anglo gang The Jets, though a bit pretty, Harris is sufficiently believable as a romantic tough guy.
In the Juliet role of Maria is Ali Ewoldt, a lovely, delicate soprano who thrills the most when she is hitting operatic high notes.
Anita, the fiery older sister of Maria, is played with passion and depth of conviction by Michelle Aravena. This is the spotlight-stealing role that made stars of both Chita Rivera in the original and Rita Moreno in the movie, and Aravena goes toe-to-toe with these theatrical legends.
Anita needs a strong Bernardo, and German Santiago is just that guy; the proud, fearless but fair leader of the Puerto Rican gang The Sharks.
There are other joys in the show: Joseph J. Simeone in the Tybalt role of Riff; Alexandra Frohlinger as the tomboy Anybodys, who stuns with a gorgeous soprano on the reprise of “Somewhere,” and the entire singing and dancing cast, backed by a small but rich orchestra.
There may be some naysayers who contend “This is not the West Side Story I know and love,” but I dissent. Musical theater is a living, breathing, growing thing, and this is proof there is a lot of life yet in this contemporary classic.
Tickets are $25-$69 and may be reserved by calling 954-462-0222 or by going to www.broadwayacrossamerica.com.
