Wicked Fun in Ft. Lauderdale

Good and Evil Trade Places In “Wicked"

By Skip Sheffield


“Wicked good!”
That’s what they say in New England when something is exceptional, and that aptly describes the national tour of “Wicked,” running through April 24 at Broward Center for the Arts, 201 SW Fifth Ave., Fort Lauderdale.
Based on the 1995 novel by Gregory Maguire and written by Stephen Schwartz (music and lyrics) and Winnie Holzman (book), “Wicked” provides the back story of the characters immortalized in the 1939 MGM film classic “The Wizard of Oz,” which in turn was based on L. Frank Baum’s 1900 fantasy, “The Wonderful Wizard of Oz.”
“Wicked” focuses on the two girls who would grow up to become symbols of good and evil.
Galinda (Chandra Lee Schwartz) is a peppy blond-blue-eyed beauty destined to become the most popular girl on campus and Glinda, the Good Witch.
Elphaba (Jackie Burns) is intelligent, caring and gifted in special ways, but she is shunned by other kids because she was born with green skin. Through no fault of her own she becomes known as the Wicked Witch of the West.
Glinda and Elphaba are thrown together when they are assigned as roommates by Madame Morrible (Randy Danson), their mysterious school headmistress.
As different and opposite as they are, Glinda and Elphaba become best friends and rivals for the affection of Fiyero (Colin Hanlon), the handsome, vain playboy-type who will become Captain of the Guard of the Land of Oz.
Novelist Maguire created new characters to flesh his fantasy of romance and class conflict: Nessarose (Stephanie Brown), the crippled younger sister of Elphaba, and Boq (Justin Brill), the Munchkin she fancies but who in turn has a crush on Glinda.
Who knew that animals could talk? In this revisionist Oz they even teach school. Doctor Diamond (Paul Slade Smith) is a pedagogue and a goat, but lately he has been enduring anti-animal discrimination.
Yes, there is a lot of metaphorical stuff going on that can be related directly what is going on daily in our world. As in the original, the “Wonderful Wizard of Oz” is neither wonderful not brilliant, but as portrayed by Mark Jacoby, he has a sinister side too.
All the comedy and dramatic intrigue is played out to a wonderful score by Stephen Schwartz that is better than his “Pippin” and equal to the memorable “Godspell.” When anthems like “No One Warns the Wicked,” “Defying Gravity” and “I’m Not That Girl” are delivered by vocalists as powerful as Jackie Burns and Chandra Lee Schwartz, it is powerful stuff indeed. Add to that incredible settings by Eugene Lee, eye-popping, hilarious costumes by Susan Hilferty and sublime lighting by Kenneth Posner and you have something wicked excellent, all under Joe Mantello’s sure direction.
Tickets are $29-$89. Call 954-462-0222 or go to www.browardcenter.org.

“Jane Eyre,” “Potiche” in Theaters

By Skip Sheffield


When Palm Beach International Film Festival is in fsession it’s easy to forget what is going on with commercial releases. Here are a couple of films worthy of mention.
The first is “Jane Eyre.” Yes, this is the umpteenth film remake of Charlotte Bronte’s beloved 1847 novel, but I think this one is special. So do publications as influential as the New York Times and Entertainment Weekly.
Mia Wasikowska is a Jane Eyre for the 21st century, working with a smart, condensed 21st century script and a brooding-creepy, Gothic atmosphere imparted by young director Cary Fukunaga (the immigrants-in-peril “Sin Nombre”)..
Jane Eyre is famously described as “plain.” Mia Wasikowska is a perfectly attractive young woman (cute as a button in “Alice” and “The Kids Are All Right”), but she is made mousey up for her plain Jane, with dark hair tied back tightly in a bun (when it isn’t soaking wet), drab, frumpy clothes and sallow makeup.
The most important character of Jane is her native intelligence, and that is what shines in Wasikowska’s large, light brown eyes.
Jane is first and foremost a survivor; first of the death of her parents and then a tyrannical aunt (Sally Hawkins) who served as a stepmother, and a strict religious schooling bordering on the sadistic.
We meet Jane in flight from her terrible situation, soaked to the skin, trudging across sodden moors.
She finds a safe harbor in the cottage of St. John Rivers (Jamie Bell), who lives with his two sisters.
The aptly-named St. John is a nice enough guy, but Jane is destined for greater things; namely the brooding aristocrat Edward Rochester (Michael Fassbinder), lord of a sprawling, gloomy estate.
Anyone who has had even the most elementary education knows how the story turns out, so there is no point in dwelling on that. What we can dwell on is the wonderful chemistry between Wasikowska and Fassbender. This is a Jane Eyre with passion and seething emotion. Who would have thought such a plain Jane was such hot stuff?


Catherine Deneuve is a Trophy Wife

“Potiche” is a pleasant feminist comedy by French director Francois Ozon, starring France’s favorite movie siren, Catherine Deneuve.
A potiche literally is a decorative vase, but in French slang it means “trophy wife.”
Ozon’s adaptation of a play by Pierre Barillet and Jean-Pierre Gredy
though set in 1977, it has a distinctly modern, familiar feel.
Suzanne Pujol (Deneuve) is a trophy wife who rebels, in her own quiet, competent way.
When her husband Robert (Fabrice Luchini) is laid low by a heart attack, Suzanne takes over the reins of his umbrella factory. This is a feminist fable, and therefore Suzanne is more capable, courageous and creative than her autocratic, misogynist husband ever was. Furthermore she involves her son and daughter in the family business; a feat Robert could never pull off.
To add a soupcon of romance to the tale, there is Maurice Babin (equally famous French movie star Gerard Depardieu), a former lover who is now the town’s mayor and a champion of the workers of the world. Will Suzanne be seduced by her own new power or the powerful attraction of Maurice?
The movie still seems like a play; a kind of French farce, but if it appeals to American audiences, writer-director Ozon will be very happy.
“Catherine Deneuve has never been a stage actress, and to the French audience it was quite shocking to see her take on this role,” said Ozon during Miami International Film Festival at the W Hotel. “There is something magical with her and the camera. In America you have Meryl Streep, who has a similar quality.”
Ozon worked with Deneuve previously on “Eight,” when she was but one of eight actresses and stories.
“This time it was different; she is the star,” declares Ozon. “She is very realistic. She is more interested in power than sex. The play is more of a farce, but I see the husband as more of a tragic figure. I think you find trophy wives everywhere in the world, and certainly in America. Catherine is the ultimate trophy wife.”

Over the Hill Band

Music Knows No Age


By Skip Sheffield


It’s never too late to rock ‘n’ roll. If you don’t believe me, look at me. Better yet look at the Belgian film “The Over the Hill Band,” which opens this Friday at Shadowood Theatres.
“Over the Hill” is in Flemish and French, with English subtitles, but it has subject matter American audiences- particularly older people- can easily understand.
Claire (Marilou Mermans) is a woman facing her 70th birthday when her husband suffers a heart attack at the wheel of their car. Not only is Claire injured in the ensuing crash, she is rendered an instant widow.
Mermans is a woman with a beautiful face who has been a Flemish movie star since age 20. Still, her character looks in the mirror and wonders, “Who’s the old bat looking back at me?”
At the funeral Claire is reunited with her two sons. Michel (Lucas van den Eynde) is the “good son,” always there for his mother, and offering advice even when it is not sought.
Alexander (Jan van Loovern), who insists on being called Sid, has moved to Brussels and hasn’t seen his mother in five years. Sid is a would-be hip hop musician who has yet to score any kind of success.
The sons quibble over their father’s valuable wine collection and part uneasily. While going through her husband’s effects, Claire discovers the old guitar she gave Sid when he was a young man. The guitar brings back memories of her own musical career as one of three singers in a group called The Sisters of Love.
Inspired, Claire decides to revisit her old friends. Magda (Lea Couzin) lives in the shadow of her husband. Lutgard (Lut Tomsin) has remained in music, but she is a spinster church choir director. When Claire suggests the women re-form the Sisters of Love they are skeptical. They are even more incredulous when Claire invites Sid to join the group.
Sid agrees reluctantly on one condition: they must play his style of modern music, and learn some dance moves. Sid goes one step further and insists the group be re-christened as the band of the title.
“Under the skin I’m still 17,” reasons Claire.
Like many an American musical film, the story culminates with a battle-of-the-bands, with the group as a very unlikely top contender. Unlike an American film, the battle outcome is not so predictable.
Director Geoffrey Enthoven and writer-producer Jean-Claude van Rijckeghem have created a film that is funny and entertaining and also touching, pertinent to our aging population, and even romantic, thanks to a side plot involving a “ladies man” (Michel Israel) in the band.

mars needs moms

Mars Needs Moms So Does Earth


By Skip Sheffield


Hey there single moms, here is just the movie for you.
“Mars Needs Moms” celebrates all mothers, single or married, but I think it has special meaning for women struggling to fill the role of both parents.
“Mars Needs Moms” is a motion-capture animated comedy from the makers of “Polar Express.” I saw a preview of the movie at the giant screen IMAX Theatre in Fort Lauderdale with a single mom and her two young sons. I think it is fair to say we all loved the film, young and old.
Joan Cusack stars as the mother of Milo, a typically unappreciative nine-year-old boy who gives mom a hard time over his chores.
Mom isn’t even given a name in this contemporary fable by cartoonist Berkeley Breathed. There is a dad, but he is mostly absent.
Breathed won a 1987 Pulitzer prize for political cartooning with his popular strip “Bloom County,” and he retired the strip at the peak of its popularity in 1989.
There are political references in “Mars Needs Moms,” but most of them will fly over the heads of little kids.
The story is set in the present, with very funny blasts from the past adults will appreciate.
Milo is played by Seth Green for his motion and Seth Robert Dusky for his voice.
After complaining about taking out the garbage, Milo blurts out, “My life would be so much better if I didn’t have a mom at all.”
Milo doesn’t realize it, but he just said the magic words. Martians monitor human activity on planet Earth you see, and every so often they swoop down in a space ship and abduct an ideal mother. Milo’s mom is a perfect candidate. When mom is snatched, Milo desperately tries to save her, and he becomes an inadvertent stowaway on the space ship.
Life in Mars is a regimented nightmare. Martian boys and girls are artificially created and the sexes are separated at birth. Girls become sexless worker bees and soldiers and boys become hairy ape-like creatures forced to live in the planet’s giant subterranean garbage dump. The whole planet is ruled by the elderly dictator known as the Supervisor (Mindy Sterling), a nasty, spirit-killing tyrant.
Milo learns all this after he slides down a garbage chute to evade his pursuers and meets Gribble (Dan Folger motion and voice), who is king of the garbage heap.
Gribble is a jolly man whose mom was abducted years ago, when Ronald Reagan was President. Gribble had been part of Reagan’s “Secret Astronaut Program,” and he has been stuck in that era ever since.
Visually “Mars Needs Moms” is a delight, jam-packed with action, colorful costumes that parody the 1970s and 1980s and a musical soundtrack that captures the delicious retro flair.
I’ll let you guess the payoff, but parents and especially moms can rest assured their children will see them in a new, more appreciative light. See it with your kids. If you don’t have a kid, borrow one.

Laughter and Tears at Caldwell

“Funniest Heartbreaker” at Caldwell Theatre

By Skip Sheffield

It sounds like an oxymoron, but the catch phrase “funniest heartbreaker in town” is a fairly accurate description of “Next Fall,” continuing its Southeastern U.S. premiere through March 27 at Caldwell Theatre Company, 7901 N. Federal Highway, Boca Raton.
Playwright Geoffrey Nauffts has structured the play in two time frames: the present and the not-so-distant past. The comedy occurs mostly in Act One, followed by a distinctly serious Act Two.
Adam (Tom Wahl) and Luke (Josh Canfield) are a couple. Luke is an unspecified number of years older than Luke and works an unsatisfying job selling scented candles. At one point Adam frets about turning 40 and losing his hair, so one guesses he is at least that age and aspiring actor Luke at least 15 years younger.
The play begins in the present, at Beth Israel Hospital. Luke has been in a traffic accident. Adam is worried sick.
The situation is so serious Adam’s parents have been called in. Also present are Holly (Irene Adjan), the candle shop owner and Brandon (Christopher Kent), a former boyfriend of Adam’s who was first at the scene of the accident.
The mother, Arlene (Pat Nesbit) is a wise-cracking Southern belle. Father Butch (Dennis Bateman) is a stern, politically conservative and fundamental religious businessman from Tallahassee, Florida.
Pat Nesbit is a longtime Caldwell favorite who has worked many times with guest director Michael Hall. Hall is not just any guest director, but Caldwell Theatre’s co-founder and former executive director.
It is Pat Nesbit’s rapier delivery and impeccable comic timing that gives “Next Fall” its best laughs. As the play progresses the viewer realizes the situation is far more serious than it first seemed, but Arlene’s humor disarms.
The other part of the comedy is the odd couple relationship between Adam and Luke. Not only is he older; Adam has a far darker outlook on life than Luke.
Part of his sunny disposition can be credited on Luke’s Christian faith.
So there is a lot of philosophical banter between Luke, who truly believes Christ died for his sins, and Adam, who is an atheist. Like the recent Palm Beach Dramaworks production “Freud’s Last Session” there is a debate on the existence or non-existence of God, but in this case that question is secondary to the matters at hand; not the least of which is Luke’s failure to be honest with his parents concerning the true nature of his relationship with Adam.
So you will laugh and you may even cry as you come to know the characters of “Next Fall,” but you won’t be bored. Don’t be put off by the thought this is a “gay play.” It is about all of us, regardless of sexual orientation, and that’s why it is so appealing and entertaining while provoking thought on some of the biggest issues of life.
Tickets are $38-$50 and may be reserved by calling 561-241-7432 or going to www.caldwelltheatre.com.

A Fresh Look at west Side Story

“West Side Story’ Finds a New Voice from an Old Source

By Skip Sheffield


As written, “West Side Story” is frozen in the amber of a bygone era of the mid-50s in New York City.
One the other hand the much-beloved musical revival that plays through Feb. 27 at Broward Center is a timeless love story borrowed freely from Shakespeare’s “Romeo and Juliet” and updated with some new twists.
The national touring production in residence in Fort Lauderdale is both old and new.
Arthur Laurents, the original librettist (with composer Leonard Bernstein and lyricist Stephen Sondheim) rewrote parts of the dialogue and lyrics in Spanish to complement the original English.
Laurents should be considered a national treasure. He also directed the Broadway show that opened in March, 2009 and just closed in January of this year. The national tour is directed by David Saint, the Broadway associate director.
This is the third major revival of a record-breaking, boundary-breaking, multi-Tony Award-winning show that opened on Broadway in 1957. If you count the 1961 movie, this would make it the fourth.
The bilingual dialogue makes sense considering half the characters are Puerto Rican. Most of us, especially down here, are used to hearing Spanish.
The original Jerome Robbins choreography has been restaged and in subtle ways re-envisioned by Joey McKneeley (“The Boy From Oz”).
As a result this “West Side Story” takes a fresh look at a musical theater classic more than 50 years old.
In the Romeo role of Tony is Kyle Harris, who is in a world terrific. I didn’t get to see Larry Kert in the original, but vocally Harris is the strongest Tony I’ve seen. Dramatically, as the smitten, conflicted leader of the Anglo gang The Jets, though a bit pretty, Harris is sufficiently believable as a romantic tough guy.
In the Juliet role of Maria is Ali Ewoldt, a lovely, delicate soprano who thrills the most when she is hitting operatic high notes.
Anita, the fiery older sister of Maria, is played with passion and depth of conviction by Michelle Aravena. This is the spotlight-stealing role that made stars of both Chita Rivera in the original and Rita Moreno in the movie, and Aravena goes toe-to-toe with these theatrical legends.
Anita needs a strong Bernardo, and German Santiago is just that guy; the proud, fearless but fair leader of the Puerto Rican gang The Sharks.
There are other joys in the show: Joseph J. Simeone in the Tybalt role of Riff; Alexandra Frohlinger as the tomboy Anybodys, who stuns with a gorgeous soprano on the reprise of “Somewhere,” and the entire singing and dancing cast, backed by a small but rich orchestra.
There may be some naysayers who contend “This is not the West Side Story I know and love,” but I dissent. Musical theater is a living, breathing, growing thing, and this is proof there is a lot of life yet in this contemporary classic.
Tickets are $25-$69 and may be reserved by calling 954-462-0222 or by going to www.broadwayacrossamerica.com.

Janiva Magness at Boston's

This appeared in Boca Raton Tribune last week, but I thought I would post it here for local FB friends. Janiva Magness is pretty special.

Speaking of Buddy Guy (who headlined the Garlic Festival in Delray Beach Saturday), he was the headliner at the very first Riverwalk Blues Festival in 1987. Back then the festival was held in the parking lot of the now-defunct Musicians Exchange.
Now the 22nd annual Riverwalk Blues Festival is set in the lovely Riverwalk area of Fort Lauderdale on the New River at Andrews Avenue Friday through Sunday. Music begins at 6:30 p.m. Friday with Big Poppa E and the E Band followed by Blues Dragon at 8:30 p.m. and the John Nemeth band at 10 p.m.
Big City Blues Band leads the action at 12:30 p.m. Saturday. Headliners are Janiva Magness at 6:30 p.m. and Robert Randolph and the Family Band at 8:30 p.m.
Gates open at 11 a.m. Sunday Headliners are Superchikan and the Fighting Cocks at 6:30 p.m. and Jimmy Thackery and the Drivers at 8:30 p.m.
There is a lot more than this going on. Go to the web site at www.riverwalkbluesfestival.homestead to check it out.

Singer Janiva Magness is also playing Boston’s in Delray Beach at 9 p.m. Tuesday, Feb. 15 as part of Frank Ward’s Blue Tuesday.
Lovely Janiva is a real blues survivor of the suicide of both her parents when she was just 16; an early pregnancy and the trauma of giving her infant up for adoption and homelessness before she found her focus in the blues. She is now one of the shining stars at Alligator Records, the world’s largest blues label, having won the B.B. King Entertainer of the Year Blues Music Award in 2009. Her latest CD is “The Devil is an Angel Too.”
“I am very grateful,” said Magness in a telephone interview. “I feel like the luckiest woman in the world. I get to do what I love to do and it is transcendent. I feel we need live music more now than ever before.”
As with all Blue Tuesdays at Boston’s, admission is free.
I went down to Fort Lauderdale to see Janiva Saturday. I was not disappointed. Her band is drum-tight and red-hot, and Janiva is pretty hot herself. In fact she’s just about the hottest 54-year-old mama I’ve seen, and when it comes to blues, she’s the real deal. She has lived the life.