Get Naughty with Girls Trip

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A Girls Trip Leading to a Fall

By Skip Sheffield

Who would have thought a black chick comedy could be so appealing to a whitebread male? As the whitebread male in question I can assure you “Girls Trip” is the funniest thing I have seen in quite some time.

There is unquestionably a cultural divide between black and white Americans. Black people seem looser, freer, less uptight than whites. Director Malcolm D. Lee (“The Best Man” and its sequel) has accentuated those differences ingeniously.

A crew of four writers hatched a plot about four longtime college friends who have a reunion at the Essence Festival in New Orleans. Essence is a slick magazine aimed primarily at African-American women. Ryan Pierce (Regina Hall) is the most successful of the group as author and television personality with her husband Stewart (Mike Colter) Ryan has been invited as the keynote speaker at the Essence Festival. She invited her friends Sasha (Queen Latifa), Lisa (Jada Pinkett Smith) and Dina (Tiffany Haddash) along for the ride. Highjinks and mishaps immediately ensue amongst the “Flossy Posse” as they call themselves. Some serious things happen as well.

“Girls Trip” has an unbelievable fairy as aspect to it, but the fun is watching these women going at it in extremely politically non-correct fashion. Let’s just say the language is blue, peppered with N words, F words, C words and MF words. The women utter insults white persons would never be allowed to say. My sense is director gave his powerful women free rein to be as naughty as they wanted to be. They certainly are as funny as we want them to be.

Darkest Hour of Dunkirk

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“Dunkirk” a Relentless War Movie

By Skip Sheffield

“Dunkirk” is a war film that just won’t quit. From the first frames to the finale, “Dunkirk” is all action, all the time. Writer-director Christopher Nolan captures the desperate plight of 400,000 Allied troops, from France, Belgium, England and Canada in that dark time from May 26 to June 4, 1940 on the northwest coast of France.

The film unfolds in real-time fashion. The surrounded men are helpless and pretty much hopeless. Their only defense was hotshot British Spitfire fighter planes, with Farrier (Tom Hardy) offering us a point of view. On the beach we have Cillian Murphy and Mark Rylance representing the grunts and Kenneth Branagh as their Commander Bolton.

“Dunkirk” occurred before the Pearl Harbor attack of Dec. 7, 1941 forced the United States into the Second World War. For that reason the desperate stand-off between Allied and German forces is little-known in America. British-born writer-director Christopher Nolan (the “Batman” Dark Knight Series and “Inception”) has corrected that oversight.

“Dunkirk” is relentless, underscored by a fiery score by Hans Zimmer. This is not light entertainment, but it is a vivid history lesson, building to a climax of ragtag civilian boats coming from England, just 26 miles away. It is impossible not to be moved by Winston Churchill’s famous speech on British resolve to never surrender. In this case it is spoken by a British Army grunt, reading from a newspaper account. That is a fitting touch.

"Sweeney Todd" a Good Bloody Show

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“Sweeney Todd” a Bloody Good Production

By Skip Sheffield

Basing a musical on a remorseless serial killer seems unlikely at best. Yet the character of Sweeney Todd, the “Demon Barber of Fleet Street,” has fascinated people since its creation in 1846 as a “penny dreadful” story.

Palm Beach Dramaworks has put its reputation on the line with a full-blown production of the 1979 Stephen Sondheim-Hugh Wheeler production, based on a 1973 play by Christopher Bond. It runs through Aug. 6.

Sondheim was at his tongue-twisting peak with his re-creation of mid-19^th century London. The song “No Place Like London” introduces principal characters Anthony Hope (Paul Louis Lessard), Sweeney Todd (Shane R. Tanner) and a Beggar Woman (Shelley Keelor). How can a beggar woman be a principal character? You will find out by the final curtain.

Sweeney Todd is a man wronged. His wife Lucy was raped and murdered by the devious Judge Turpin (Michael McKenzie). His daughter Johanna (Jennifer Molly Bell) has been virtually imprisoned by the Judge. When the aptly-named Anthony Hope falls for Johanna, a series of events will take place to entangle Sweeney Todd and the Judge.

There is another principal character named Mrs. Lovett (Ruthie Stephens). Nellie, as she is called, runs a shop selling “The Worst Pies in London.” When Sweeney Todd moves into Mrs. Lovett’s apartment, he will provide a solution to her meat shortage problem.

Meat pies are a very British thing, but this play, directed by the redoubtable Clive Cholerton, is specifically set in 19^th century England, when class distinctions were much more prominent. Judge Turpin was of the arrogant upper class, Sweeney Todd, whose original name was Benjamin Barker, was not. Stephen Sondheim has said this is a play about obsession. Sweeney Todd was nothing if not obsessed.

We would be remiss if we did not remark on the ingenious set design, which features an onstage elevator, or the lighting design, which enhances Sweeney Todd’s moments of madness. The almost unseen but definitely heard musical ensemble, led by Manny Schvartzman, elegantly tackles Sondheim’s difficult score. It may not be the most lovable musical, but “Sweeney Todd” is an impressive success.

Tickets are $67 adults, $47 students, but playgoers age 18-40 simply pay their age. Call 561-514-4042 or go to www.palmbeachdramaworks.org.

If You Must be Lost, be "Lost in Paris"

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If Lost, Be “Lost in Paris”

By Skip Sheffield

If you must be lost somewhere, there is no better place than “Lost in Paris.”

This is a charming goofball comedy-romance by Dominique Abel and Fiona Gordon.

Fiona plays a character also named Fiona, who is a prim Canadian librarian who receives a letter from her elderly Aunt Martha (Emmanuelle Riva) indicating she is in some kind of distress in Paris.
Canada is pictured comically as a blizzard-bound white wasteland. Fiona takes the first available flight to Paris, strapped to a ridiculously huge red backpack, topped with a Canadian maple leaf flag.

Things go amiss right away. First Fiona can’t locate her Aunt Martha. Then she falls off a bridge into the River Seine, losing her backpack. Then she meets a homeless man named Dom (Dominique Abel), who tries to help her, but he only irritates her and won’t leave her alone.

The movie takes best advantage of the City of Paris; one of the most beautiful cities in the world. If you have been there it’s a plus. I was there only once as a lad of 21, looking more like 15. However I was pretty fluent in French, which was an enormous advantage. The character of Fiona has only a rudimentary knowledge of French. Poor Fiona klutzes her way through Paris, with Dom and a certain stray dog attached to her. Fiona Gordon is an actress we can call “fearless.” She wears large unflattering glasses and a frumpy dress, which due to her loss of her backpack; she wears through most of the film.

Dom Abel is one of those adorable tramp types, like Charlie Chaplin. Real homeless people are rarely this charming, but hey it’s a fantasy, and it is set in Paris. It has a limited run at Living Room Theaters in Boca and the Lake Worth Playhouse.

A Younger, Funnier "Spider-Man"

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"Spider-Man" Goes Back to High School

By Skip Sheffield

There is a new Spider-Man in New York City, though he is more like a Spider-Boy.

British actor Tom Holland, 21, quite believably plays Peter Parker as a 15-year-old sophomore from the Borough of Queens at Midtown School of Science and Technology.

Director Jon Watts (“Cop Car”) and a team of six writers have gone back to square one to recast Peter Parker as a bumbling high school student who doesn’t quite understand his newfound powers as Spider-Man. This isn’t a regular high school. It is one for over-achievers. There are no jock bullies as in previous incarnations of Spider-Man with Tobey Maguire 2002-2007 and Andrew Garfield 2012 and 2014. Instead of a football team they have an Academic Decathlon. The closest thing to a rival for Peter is a guy named Flash (Tony Revolori) who is jealous of Peter’s superior intellect.

Peter has two mentors; Tony Stark (Robert Downey, Jr.) whom he met in “Captain America: Civil War” as Iron Man, and Aunt May, played by the younger and much more attractive Marisa Tomei.

Michael Keaton, who once played Batman in the super hero universe, has gone rogue as Adrian Toomes, who transforms into The Vulture in a magic flying suit. Toomes has stolen some high-tech weapons and is willing to sell them to the highest bidder.

Meanwhile the homecoming of the title is approaching, and like any 15-year-old, Peter is nervous about asking his crush Liz (Laura Harrier) to the prom. Cheering Peter on is his best buddy Ned (Jacob Batalon) who has accidentally discovered Peter’s secret identity. Providing a one-woman Greek chorus is Peter’s brainy friend Michelle (Zendaya), who is always dropping droll observations.

“Spider-Man Homecoming” is like a travelogue of New York City, culminating with an epic battle aboard the Staten Island Ferry. Being a knowledgeable New Yorker is a plus. As a nod to the past, Gwyneth Paltrow makes a cameo appearance as Pepper Potts.

“Spider-Man” has moved on to a new generation. A sequel is already in the works. Never mind that the whole premise of the story that first appeared in a 1963 Marvel comic is absurd, it’s a lot of good harmless fun with plenty of decent laughs.

Once More, Times Two "Despicable Me 3"

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Re-Live the 1980s with “Despicable Me 3”

By Skip Sheffield

“Despicable Me 3” is more of the same, times two. Voiceover star Steve Carell returns as villain-turned family man Gru, and he does double duty as Gru’s twin brother Dru. You can tell the two apart because Gru is totally bald and Dru has a big mop of floppy blond hair. He is also an inexplicably rich pig farmer.

A new villain, Balthazar Bratt (Trey Parker) is introduced as a 1980s child star. Bratt aged ungracefully, but remained stuck in the 1980s, with padded shoulders, a mullet haircut (with prominent bald spot as he aged) and an obsession with bubble gum and Rubik’s Cubes.

In the introductory sequence, Balthazar Bratt steals the watermelon-sized, pink Dumont Diamond. Gru thwarts the heist and seizes the diamond, but Bratt escapes.

For this lapse, Gru is dumped from the Anti-Villain League by his boss, Valerie da Vinci (Jenny Slate).

Gru returns to his wife Lucy (Kristen Wiig) and his adopted daughters Marge (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Nev Scharrel). Agnes is obsessed with finding a real unicorn, but she sacrifices for her father by selling her toy stuffed unicorn so Gru can pursue Bratt.

What of all the amusing minions? They spend most of the film in prison, with only one big production number.

If you liked the 1980s you’ll probably like this movie, which is rife with 80s references and musical soundtrack. However, the 1980s references will fly over the heads of the target audience: children and teens. The good thing is the movie is only 91 minutes long. You can only take so much 1980s nostalgia.

A Nazi in Love?

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A Nazi in Love in “The Exception”

By Skip Sheffield

There is an exception to every rule. Capt. Stefan Brandt (Jai Courtney) is “The Exception.” Capt. Brandt is a war-wounded Nazi officer assigned to be a bodyguard to the deposed German Emperor, Kaiser Wilhelm II, in splendid exile in Holland, 1940.

Christopher Plummer plays the wily, sardonic Kaiser, grandson to Queen Victoria. At age 87 he is the best thing about this film, directed by British theater director David Leveaux and based on the 2003 novel “The Kaiser’s Last Kiss,” by Alan Judd.

There is a romantic subplot involving Brandt and a pretty young maid named Mieke (Lili James). The last time we saw Lili she was a very blond “Disney’s Cinderella.” Here she is very brunette and possibly dangerous. Brandt has been told there is a Dutch Resistance spy somewhere in the vicinity of the Kaiser. Mieke is Dutch, and she reveals she is Jewish. What’s a loyal Nazi to do? In Brandt’s case it is fall in love with Mieke despite the cost. This is what makes Brandt an exception. He feels deep guilt about a Nazi massacre of women and children he witnessed. He is beginning to feel Hitler is a madman. His loyalty to the German cause is eroding. When, in the film’s most startling scene he has intercourse with Mieke with no foreplay, he is hooked.

When Nazi henchman Himmler (Eddie Marsan) visits and talks about a “final solution” for the weak, elderly, deformed and children, Brandt snaps inside.

Through it all the Kaiser is a bemused presence. Plummer portrays him more sympathetically probably than the real man was. He is an old man, nostalgic about the good old days of the monarchy and proud of his large closet filled with fancy uniforms. “The Exception” is a flight of fancy based on facts. If for Plummer’s performance alone it is worth a look.

Let's Hear It for Old Guys

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Sam Elliott is “The Hero”

By Skip Sheffield

Sam Elliott is “The Hero.” You know the guy. Tall, deep-voiced and with a big bushy moustache, Elliott has been a staple in Westerns and dramas since his film debut in 1969 with a bit part in “Butch Cassidy and the Sundance Kid.”

In “The Hero” Elliott plays a character very much like himself. Writer-director Brett Haley tailored the character of Western star Lee Hayden with his writing partner Marc Basch after the real-life Sam Elliott. Haley and Basch had previously collaborated with Elliott in “I’ll See You in My Dreams,” a post-65 romance with Elliott and Blythe Danner.

The movie begins with Lee Hayden doing a voiceover for “Lone Star BBQ Sauce.” Elliott is a much in-demand voiceover artist.

The scene shifts to a clinic. A biopsy has revealed to Hayden the grim fact he has pancreatic cancer. Lee smokes copious amounts of pot to ease his pain and anxiety.

Charlotte Dylan (Laura Prepon) stops by with cookies and to see how Lee is doing. She is an erstwhile stand-up comedian, but we never get to see her act. She does have a special interest in Lee, despite being half his age.

“You’ve got a thing for sad old guys,” a friend says.

Lee Hayden is being honored with a Western Society Award. He is embarrassed by all the fuss. Charlotte is there for moral support, which leads to a more intimate relationship.

Lee Hayden has a daughter, Lucy Hayden (Krysten Ritter) from whom he is estranged; a wife Valarie, played by Elliott’s real-life wife Katharine Ross, and a manager, played by Nick Offerman.

Through all of this Sam Elliott is the rock-steady foundation of what amounts to an old man’s fantasy.

“Many young women are attracted to Sam,” declares director Brett Haley. “Both Sam and Laura were a dream to work with. There could have been no better person for the role than Laura. She has star quality.”

Haley and Basch are currently working on another collaboration.

Let's Fly Away to Neverland

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Fly Away to “Finding Neverland”

By Skip Sheffield

J.M. Barrie’s Peter Pan fantasy has been enchanting people for more than 100 years.

“Finding Neverland,” a musical back-story on how Barrie came up with his ideas, runs through June 25 at Broward Center for the Arts.

This is a precision Disney Broadway show with vivid screen projections, clever set pieces and dazzling light design. It is distinguished by particularly strong leads. Foremost of these is Will Ray in the role of J.M. Barrie. Ray has an exquisite tenor voice, but he will be in the role only through June 16 when it will be taken over by Noah Plomgren through June 18 and then Billy Harrison Tighe through June 25. Knowing Disney they will be equally up to the task.

Christine Dwyer has an equally exquisite soprano as Sylvia Llewelyn Davies, who was the model for Mrs. Darling in the finished story. She was the widowed mother of the four boys who inspired Barrie to create his juvenile characters.

James Graham has created a clever book based on historical research on author Barrie, with sly theatrical references which provide the show with much of its humor. It also provides romantic intrigue. Barrie was married to the disapproving Mary (Laol Van Keuren through June 18; Kristine Reese through June 25), who thought his fixation with Mrs. Davies’ boys and the widow herself was unhealthy and immoral. She felt her husband should “grow up,” which is exactly what Peter Pan and Barrie himself never wanted to do.

The songs, by Gary Barlow and Eliot Kennedy, advance the story entertainingly. They are played by a full live orchestra with an amazing sound system. Outstanding are Barrie’s solo “Imagination;” the production number “Believe;” “Sylvia’s Lullaby;” the four-part “Circus of Your Mind;” the duet “What You Mean to Me” and the title song “Neverland.”

A real surprise was Rory Donovan in the role of gruff American producer Charles Frohman, a baritone who unleashes his amazing range in his solo on “Circus of Your Mind.”

Then of course there are the boys and a beautiful shaggy dog. One of the boys, Ben Kreiger, is from Palm Beach Gardens. He has been with the show eight months in rotation with a couple of the boys. At age 12 he has been on the road two years.

“I really excited about returning to normal life when I leave this show,” he said. “But I will be sad I am not performing every night.”

Tickets are $26-$131. Call 954-462-0222 or go to www.browardcenter.org.

Past Lives, Past Sins

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The Sins of the Father

By Skip Sheffield

“Past Life” is proudly “Made in Jerusalem” by writer-director Avi Nesher. Set in 1977, it concerns past events in the dark year of 1939 in Poland.

Nana (Nelly Tagar) and Sephi Milch (Joy Rieger) are the daughters of Holocaust survivor Dr. Barach Milch, now a successful gynecologist in Jerusalem. Older sister Nana works for a racy magazine owned by her husband Jeremy Kotler (Tom Avni), but she dreams of being a novelist.

Sephi has even bolder dreams. Though she is still a student at a musical academy and is a featured soloist in its choir, she dreams of being a composer.

The story begins with a concert in which Sephi is featured. At the reception afterward she spots an attractive German boy. Suddenly she is accosted by an older woman who grabs her and screams “You are the daughter of a murderer!”

The German boy subdues the woman. Sephi is shaken. The boy is Thomas Zielinski (Rafael Stachowiak), already a successful composer. The older woman is his mother (Katarzyna Gniewkonska). Thomas apologizes profusely, and when he returns as a visiting professor, he takes a personal interest in Sephi.

When Nana learns of the incident she becomes determined to get to the bottom of the mystery of whether their father was a blameless survivor or a villain.

It is a complex mystery, entailing trips to Poland and Germany, where Barach Milch had vowed never to return. Unlike many Holocaust-related films, this one has a silver lining, but you have to wait for it. It is worth the wait. Oh, and it is based on a true story.

Salma Hayek Cuts Loose in "Beatrz at Dinner"

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Salma Hayek Gives a Performance From the Heart in “Beatriz at Dinner”

By Skip Sheffield

Salma Hayek is one of the sexiest women working in the movie business today. But in “Beatriz at Dinner” she totally deglamorizes herself to play the title character, a Mexican immigrant who has made a living working as a masseuse for the ultra-rich in Southern California.

It is at one of these showplace houses that her car breaks down. Her employer Kathy (Connie Britton) invites her to wait in the house and then goes one further by inviting Beatriz to a dinner party later that evening. Reluctantly Beatriz accepts, much to the chagrin of the lord of the house, Doug Strutt (John Lithgow).

The evening begins well enough, with Beatriz remaining meek, quiet and mild while Doug Strutt shamelessly brags about his business conquests and ruthless tactics. After a few glasses of wine Beatriz gets her courage up. When Doug begins bragging about shooting a rhino in Africa, she explodes, to everyone’s amazement.

It is hard not to think of Donald Trump when considering the vain, arrogant character of Doug Strutt. I suspect that’s what Puerto Rican-born director Miguel Arteta (“Youth in Revolt”) and Southern California writer Mike White (“School of Rock,” “Nacho Libre”) had in mind. This movie is billed as a comedy, but it is not so funny when it uncomfortably resembles our current situation of haves and have-nots. The beauty of it is when Mexican-born Salma Hayek explodes with real passion, speaking for downtrodden immigrants everywhere. I think it is her finest performance, frumpy appearance and all. Right-wingers will not like this film, but “bleeding heart liberals” surely will.

47 Meters Down Pretty Girls in Peril

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Pretty Girls in Peril in “47 Meters Down”

By Skip Sheffield

“It’s just like being in a zoo, except you are in the cage,” explains a Mexican beach boy to two pretty American girls he is trying to convince to see sharks up close from the safety of a metal cage hanging by a steel cable.

The movie is “47 Meters Deep,” and it is a real nail-biter. What could go wrong? Just about everything.

For me I had two initial problems. First I like sharks and I have had some close encounters. Second I am highly claustrophobic, so being cooped up in a cage would be torture.

But British writer-director Johannes Roberts knows how to keep an audience on the edge of its seats and make them jump, as he did most recently in 2016 with “The Other Side of the Door.”

Former pop singer Mandy Moore and Australian actress Claire Holt play Lisa and Kate; two sisters who look nothing alike. Dark-haired, brown-eyed Lisa has just been dumped by her boyfriend, so she decides to invite her blond, blue-eyed sister to take his place to a dream vacation to a Mexican resort.

Lisa mopes around at first, but more outgoing Kate convinces her to go out on a night on the town at their seaside resort. There they meet a couple of local guys and begin dancing and kanoodling with them. The next day the guys say they have a friend, Capt. Taylor (Matthew Modine) who has a dive boat and will make them a really good deal- just $100- for the cage diving experience.

The girls should have been a little wary when they were picked up in a rickety rowboat and taken to an even more rickety, age-worn dive ship.

But as in all horror-thrillers, the girls are naïve and trusting. At first their dive is enchanting. Capt. Taylor chums the water with bloody fish guts and they see their first sharks. The cage is just five meters down. Then the winch lets loose and they plummet to the 47 meters of the title. Even for experienced divers that is a long way down; more than 150 feet. At this depth you can’t just pop up to the surface or you will get the bends, or nitrogen narcosis. Suffice it to say the girls endure all manner of peril in their fight to survive. Happily the movie is only 90 minutes long, but in that time Roberts pulls out every trick in the scare book. Mandy Moore proves herself an able screamer and weeper, while Claire Holt isn’t as tough as she thinks she is.

If you enjoy pretty girls in peril, this may interest you. For me, 90 minutes was more than enough

Beautiful "Beauty and the Beast" at the Wick Theatre

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A Beautiful “Beauty and the Beast” at Wick Theatre

By Skip Sheffield

“Beauty and the Beast” goes back, way back to a 1740 French fairy tale.

The Wick Theatre has a thoroughly modern version enhanced with video projections that cuts to the chase. Beauty is beautiful Mallory Newbrough. The Beast is Loren Christopher, a prince cursed by a witch because he turned her away.

This Disney version of “B&B” is highly simplified version for an attention-deficit audience, running through July 9. The score, by Alan Menkin with lyrics by Howard Ashman and Tim Rice, has become quite familiar even if you haven’t seen the stage version or the 1991 Disney animated version on which it is based.

Mallory Newbrough, who was so electrifying as Janis Joplin in the Wick production of “Beehive,” channels her softer, feminine side as Belle, a book-loving girl who lives with her widowed father Maurice (Troy Stanley). Maurice is considered an oddball because of his goofy inventions. Belle is considered odd simply because she loves literature and could not care less about Gaston (Jacob Thompson) the vain town hunk who pursues her relentlessly.

Maurice wanders off into the woods, gets lost, and ends up at the castle of the Beast (Loren Christopher). When Belle tries to free her father, she comes into the clutches of the Beast, who is a sad, lonely and very ugly man.

When the Beast was cursed, so was everyone in his castle. So everyone who was human is turned into a household object. Therefore we have Cogsworth the clock (Kevin Robert Kelly), Lumiere the candelabra (Jonathan Van Dyke), Mrs. Potts the teapot (Angie Radosh) and her son Chip (Alexa Lasanta) and an opera-singing wardrobe (Krystal Bly). Flitting about is Babette (Emily Tarolo), an incurable flirt and temptress to Lumiere.

These characters give the Wick Theatre a chance to show off its costume magic. Combined with ingenious sets by Kelly Tighe and precise lighting by Jose Santiago, “B&B” is the most visually stunning show I have yet seen at The Wick. Its enormous cast includes a half-dozen local high school students who blend quite well thanks to the direction of Dom Ruggiero. Even if you have seen Disney’s “Beauty and the Beast” before, you might want to consider seeing it again for its timeless message that real love overcomes any physical obstacle.

Tickets are $70-$75 adults and $40 children under 13. Call 561-995-2333 or go to www.thewick.org

A Girl and Her Dog

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Megan Leavey Loved Her Dog Rex.

By Skip Sheffield

Megan Leavey was not just an ordinary dog-lover. She was an upstate New Yorker who found her purpose as a U.S. Marine Corporal. Rex was not just any dog. He was a very aggressive and fearsome German Shepherd who became a bomb-sniffing dog for Marines in Iraq.

“Megan Leavey” is a rah-rah story for dog-lovers and those who support the Iraq War.

Kate Mara plays Megan, based on a real-life character. The year is 2001. Megan is floundering aimlessly. Her divorced mother (Edie Falco) is thinking of marrying a new guy (Will Patton). Megan is the odd person out. On a whim at a local shopping mall she goes to a local USMC recruiter and says sign me up.

Like Goldie Hawn in “Private Benjamin” Megan is an unlikely soldier, but this is not a comedy. A sympathetic Sgt. Gunny Martin (Common) tries to get her into combat shape, but she soon screws up and is punished by being assigned to dog kennel cleanup duty. It is there she meets her destiny: a surly, violent German Shepherd named Rex. Rex is gifted with an extraordinary sense of smell, so he is trained to be a bomb-sniffing dog in the deserts of Iraq.

On one hand Megan and her dog are heroic and self-sacrificing. On the other hand it is hard to romanticize a war so misbegotten, so destructive to both sides with no clear gain either way. “Megan Leavey” and her dog are true heroes, but what happens when they have to go back to civilian life? This movie is directed by Gabriela Cowperthwaite, who made the compassionate documentary “Black Fish.” Its heart is in the right place but I can’t help but feel melancholy about such a pointless, unwinnable war.

"My Cousin Rachel" is a Most Fetching Rachel Weitsz

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Rachel Weisz Rules “My Cousin Rachel”

By Skip Sheffield

The choice was between “The Mummy” and “My Cousin Rachel.” I chose “Rachel” because of its star, Rachel Weisz. I have never seen a bad performance from this British-born actress. “Rachel” may be a new benchmark for her. Weisz has a certain look; an exotic beauty, which she uses to good advantage to play Rachel Ashley, a cousin of Philip Ashley (Sam Claflin) a young British nobleman who will come into a ton of money and a beautiful manor house when he turns 25. Philip was orphaned young and adopted by his godfather Nick Kendall (Iain Glen). When Nick Kendall dies suddenly, Philip suspects his young bride Rachel (Weisz) had something to do with it.

The story is based on British mystery master Daphne Du Maurier’s 1951 novel. Du Maurier is better known for “Rebecca” and “The Birds,” but this movie, adopted for the screen by Roger Michell (“Notting Hill”), may prove a boost to her posthumous reputation.

Rachel does not make her appearance until 20 minutes into the film. When she does, Philip, who has been moping about in his magnificent seaside manor house, is intrigued and a little bit frightened. Is this young widow dressed in black truly grieving for her older husband, or does she have designs on the estate and all its riches?

Weisz keeps us guessing. Philip predictably becomes smitten over her. What is in that exotic tea Rachel keeps serving Philip? If you desire an old-fashioned mystery set in stunning beauty in 19^th century England and Italy, this is a movie for you. Rachel Weisz is the bonus. You cannot keep your eyes off her.

Who is Jeremiah Tower? Find out in the movie of the same name.

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“Jeremiah Tower:” a Celebrity Chef Uncovered

By Skip Sheffield

Who is Jeremiah Tower?

I had no idea, but evidently he is a big-deal chef credited with much of the New American cuisine.

“Jeremiah Tower” is a documentary by Lydia Tenaglia, who previously directed “Anthony Bourdain: No Reservations.”

Anthony Bourdain I have heard of. I enjoy his globe-trotting gastronomic adventures on PBS. Jeremiah Tower is quite reclusive by comparison.

“I have to stay away from human beings” he says early in the film. After emerging as one of the first celebrity chefs in 1970s California, he retreated from the public eye.

Part of the deal was Tower was a gay man, and sensitive about that. He re-emerged in a most public place: New York City’s Tavern on the Green in November of 2014. Tower was a notorious control freak. Tavern on the Green is a huge operation and major tourist attraction.

Throughout the film major celebrity chefs give their testimony on Tower, starting with Anthony Bourdain and including Mario Batali, Martha Stewart and Samantha Talbot.

If you are a “foodie,” this movie will be of interest. If you are not you may find Tower’s conflicted life story interesting. For this weekend it is showing exclusively at FAU’s Living Room Theaters.

Gal Gadot is not Just Wonderful, She is Stunning

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Let’s Hear It for the Girls

By Skip Sheffield

Gal Gadot may well be one of the most beautiful women in the universe. That’s all you need to know about “Wonder Woman,” which stars the Israeli actress.

Most of “Wonder Woman” is back story, starting with the childhood of Diana, who was raised as an Amazonian princess on an all-female island. Who was her father? Who knows? It doesn’t matter because this is a DC Comics- based story, and logic does not apply.

What does apply is that Diana grows up to inhabit the body of Gal Gadot. In Roman mythology, Diana was goddess of the hunt. In this retelling, she is protector of the universe.

After the prelude, an antique plane crashes into the ocean. It contains one Steve Trevor (Chris Pine) who is dressed in German military uniform, but in reality is an American spy who has infiltrated the ranks. The year is 1918 as World War I is reaching its climax. Diana has no knowledge of the outside world, but she despises war. After she nurses Steve back to health, he convinces her to travel to London, which is under threat of imminent German attack.

This is the fun part of a two-hour-plus movie, with beautiful Diana a fish out of water. With Steve a distinct second banana, she comes in contact with Ludendorff (Danny Huston), a typically maniacal German officer; the disfigured Dr. Maru (Elena Anaya), also known as Dr. Poison, and the sneakiest of the lot, Sir Patrick (David Thewlis).

Along with her beauty, Gal Gadot has admirable physical dexterity. Though she has bullet-proof arm shields and an old-fashioned combat shield, her physical moves, though CG-enhanced, are most impressive.

I thought of my own three daughters when seeing this film. They need a female hero and director (Patty Jenkins), and this movie does the trick.

Johnny & the Pirates in Episode 5

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Déjà vu on the High Seas

By Skip Sheffield

Haven’t I seen this movie before? Yes I have actually. “Pirates of the Caribbean: Dead Men Tell No Tales” is the fifth in a wildly successful series starring Johnny Depp as pirate Capt. Jack Sparrow. In each installment Depp has worn the same hat and the same heavy dark eye makeup. He also clutches a bottle of booze and rambles around drunkenly. How this guy could captain anything is a mystery, which is the one big gag of this series. Depp has one trademark expression: eyes open wide with a look of astonishment as if he was thinking I can’t believe they pay me to do this.

Well they do, and I am sure it is substantial. The saving grace of this new installment is esteemed Spanish actor Javier Bardem. He plays the dead Capt. Salazar, who roams the seas with an equally dead crew. Their skeleton ship sails equally well above or under water. Also returning is Kevin McNally as Jack’s first mate, Gibbs.

Returning from previous Pirates movies is Geoffrey Rush as onetime foe Capt. Hector Barbosa, who is now buddy with Jack Sparrow. There are two new pretty people; Brenton Thwaites as Henry Turner and Kaya Scodelario as Carina Smyth. Kaya is much more buxom than Keira Knightley, who returns in a pointless cameo with Orlando Bloom.

In all this movie is pretty pointless, noisy and rambling, but who cares? As long as people keep paying money to see Capt. Jack Sparrow, they will keep churning these things out.

Is Chuck Wepner the Real Rocky Balboa?

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Is “Chuck” Rocky Balboa?

By Skip Sheffield

My late friend, mentor and surrogate father figure Hal Williams used to say “I abhor fisticuffs.”

I do too, which explains why I don’t like boxing and I was a little leery about seeing “Chuck.” The Chuck of the title is Chuck Wepner, the self-styled boxing champion of New Jersey. Chuck is played by Liev Schreiber, an actor I greatly respect. Schreiber must have packed on some pounds and got into combat shape to portray the man whose biggest claim to fame was going 15 rounds with Muhammad Ali.

“I can take a punch,” boasted Wepner, who was also known as “The Bayonne Bleeder.” Wepner was a semi-celebrity in New Jersey simply because he could take a beating. He was also a white man in a sport dominated by black men. That’s why he was chosen March 23, 1975 to battle heavyweight champion Muhammad Ali (Pooch Hall) by his manager, Al Braverman (Ron Perlman).

What cinched Chuck’s fame was the release of the first “Rocky” film in 1976. Although he denied it, Sylvester Stallone (Morgan Spector) modelled his underdog character of Rocky Balboa on Chuck Wepner. The people of New Jersey regarded Chuck as their hero. As so often happens, fame went to his head. Chuck, who was married to Phyllis (Elizabeth Moss) and had a loving daughter Kimberly (Sadie Sink), started messing around with other women; principally pretty bartender Linda (Naomi Watts) and snorting cocaine.

I still don’t much like boxing, but I did like “Rocky” and I am glad I got to see the back story in “Chuck.”

Marry Me, Please

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A “Wedding Plan” at All Costs

By Skip Sheffield

“The Wedding Plan” is to get married at all costs. That’s the bottom line on this Israeli comedy about an ultra-orthodox 32-year-old Jewish woman and her quest to find a groom by the eighth night of Hanukah.

Yes, it helps to be Jewish and orthodox at that to appreciate this comedy, written and directed by Rama Burshstein.

I am neither, but the saving grace of this movie is Noa Koler, as the marriage-minded Michal. She has been dating for ten years, but has yet to find a guy willing to make the commitment.

When her latest fiancé jilts her by saying bluntly “I don’t love you,” Michal undertakes a drastic plan: go ahead with the marriage anyway, groom or no groom. God will find a way, she rationalizes.

So at a cost of 15,000 shekels, Michal books a wedding hall for 200 guests. She already has the white wedding dress.

Michal operates a mobile petting zoo. She must do exceptionally well. For a secular Westerner, the thought is, what’s the big whoop? Noa Koler is so appealing, with big, expressive brown eyes; we tend to root for her.

Hey, it’s another romantic fantasy. We’ll do no spoilers here, except to note love can come from the most unexpected places.